The location of Besakih temple or Pura Agung Besakih is at
Besakih village, Rendang district, on the south west of mount Agung. It is
about 1000 meters above the sea level, 44 kilometers from Amlapura, 13
kilometers from the closest city of Klungkung and 62 kilometers from the main
city of Denpasar.
Perched nearly 1000 meters up the side of Gunung Agung is
Bali’s most important temple,
Pura Besakih. In fact it is an extensive complex of some 23 separated but related temples, with the largest and most important being Pura Penataran Agung. It is most enjoyable during one of the frequent festival, when hundreds perhaps thousands of gorgeously dressed devotees turn up with beautifully arranged offerings. The panoramic view and the mountain backdrop are impressive too.
Pura Besakih. In fact it is an extensive complex of some 23 separated but related temples, with the largest and most important being Pura Penataran Agung. It is most enjoyable during one of the frequent festival, when hundreds perhaps thousands of gorgeously dressed devotees turn up with beautifully arranged offerings. The panoramic view and the mountain backdrop are impressive too.
History
Besakih was built on a terrace site where prehistoric rites,
ceremonies, and feast once took place. Perhaps it was here where the spirit of
the great, angry mountain, which loomed menacingly above the island, received
pagan sacrifices. Certain timeworn megaliths in some of the bale are
reminiscent of old Indo-Polynesian structures.
Hindu theologians claim the temple was founded by the 8th
century missionary Danghyang Markendya, a priest credited with introducing the
tradition of daily offerings (bebali) and the cocepf of a single god. His son,
Empu Sang Kulputih, was the first temple’s high priest.
The first record of the temple’s existence is a chronogram
dated AD 100, possible describing the death ritual for king Udayana’s queen,
Mahendradatta. The inscriptions also reveal that Besakih was used as Buddhist
sanctuary. “Lontar” books dating from the Majapahit kingdom indicate Besakih’s
significance during the 14th century, and several 15th
century wood tablets refer to state support of Besakih, confirming its
preeminence.
Besakih’s central Pura Penataran Agung, the largest on the
island, functioned as an ancestral temple for the Gelgel dynasty’s deified
kings and as the central state temple for the entire island. Gelgel rulers are today
enshrined in they own temple here, the Padharman Dalem. For centuries worship
at Besakih was the exclusive privilege of rajas, not commoners, and the
difficult trek here in former times reinforced the ardor of the devotional act.
The great 1917 earthquake destroyed the temple complex, but
it was subsequently restored by the Rajas and people of Bali with the Dutch
donation to its original form (only two structures survived this quake).
Besakih was again heavily damaged on 17 March 1963 by a Gunung Agung eruption.
The complex has since been extensively restore and now encompasses a mix of old
and new buildings.
The layout and design of Besakih is a very complex
architectural structure venerating the holy Hindu trinity. Via a series of long
stairways, the temple group ascends parallel ridges toward Gunung Agung, the
honored birthplace of Bali’s deities, tantamount to heaven. The temple is
continually enlarged as municipalities, regencies, and wealthy honored Brahman
families, add more shrines. In fact, each caste and kin group, as well as
various sect, artisan guilds, and aristocratic families, maintain its own
temple inside the complex.
About 22 separated sanctuaries contain a befuddling array of
over 60 temples and 200 distinct structures (a map is posted at the top of the
road leading from the parking lot). Given the Balinese passion for covering
surfaces with carving or paint, its remarkable most of Besakih’s sanctuaries
are constructed simply of wood.
The sun god (Bhatara Surya), the god of the sea (Ratu
Waruna) and every major figure in the Balinese pantheon is represented here.
Each of the island’s nine regencies also maintains its own temple within this
complex. Curiously , the small, relatively inconsequential “rajadoms “ like
Blahbatuh and Sukawati are assigned proportionally large sections, while major
regencies like Badung and Gianyar are meagerly represented. The historical
importance of the Gelgel kingdom is evidence, however, by its assignment to the
innermost, central courtyard.
Beyond the great unadorned split gate, a broad terrace leads
to a ‘Gapura’ which open onto 50 black, slender, pagoda-like ‘Meru’ temples,
the more roofs, the higher-ranking the god or deified ancestor to whom the Meru
is dedicated. Long flight of stone steps lead to the main central temples, Pura
Penataran Agung, which consists of six rising terraces built on a slope, all
connected by the gateways. In the third inner court of the central temple is
the Sanggar Agung, a beautiful decorated 17th-century triple lotus
stone throne representing the dive triad. This is the ritual center of Besakih.
Through the clear, fresh air of topmost terrace, over 900 meters above sea
level, is an unsurpassed view over spectacular rice terraces. Behind, thick
white clouds hiver over Gunung Agung.
Besakih’s three main temple, which stretch for over a
kilometer, are Pura Penataran Agung ( in the symbolic center), dedicated to the paramount god Shiva, or Sang Hyand Widi
Wasa; Pura Kiduling Kreteg, honoring Brahma, and Pura Batu Madeg, dedicated to
Wisnu. The longitudinal axis of this complex points directly ‘Kaja’ toward
Gunung Agung’s peak to the northeast.
Farther up the mountain is another compound, Pura Gelap the
“Thunderbolt” temple. Highest in the pine forest of Agung’s southwest slope is
austere Pura Pengubengan.
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